John Lurie made his debut as the founder of the New York “fake jazz” ensemble, The Lounge Lizards. This first incarnation of the band-which featured DNA’s Arto Lindsay on guitar-released their first, self-titled record in 1981. In 1991, Lurie released The Legendary Marvin Pontiac-Greatest Hits, a posthumous collection of music by Lurie’s insane Jewish-African alter-ego Marvin. Marvin definitely has an affinity for the true blues tradition that is grimy lyricism, yet here, he’s not subtle about it in the least bit. Marvin’s voice is like a smoother Tom Waits-a deep, bluesy, nonchalant capacitator of filthy words, and his music, like Waits', expounds upon the blues structure insofar as to completely transcend genre...most of the time. Marvin Pontiac’s Greatest Hits is by far one of the most interesting records of the nineties-it could have been written one hundred years ago, or one hundred years from now. You should also check out his short-lived television show, Fishing With John, also from 1991.
“MARVIN PONTIAC was hit and killed by a bus in June 1977 ending the life of one of the most enigmatic geniuses of modern music. He was born in 1932, the son of an African father from Mali and a white Jewish mother from New Rochelle, New York. The father's original last name was Toure but he changed it to Pontiac when the family moved to Detroit, believing it to be a conventional American name.
Marvin's father left the family when Marvin was two years old. When his mother was institutionalized in 1936, the father returned and brought the young boy to Bamako, Mali where Marvin was raised until he was fifteen. The music that he heard there would influence him forever.
At fifteen Marvin moved by himself to Chicago where he became versed in playing blues harmonica. At the age of seventeen, Marvin was accused by the great Little Walter of copying his harmonica style. This accusation led to a fistfight outside of a small club on Maxwell Street. Losing a fight to the much smaller Little Walter was so humiliating to the young Marvin that he left Chicago and moved to Lubbock, Texas where he became a plumber's assistant.
Not much is known about him for the next three years. There are unsubstantiated rumors that Marvin may have been involved in a bank robbery in 1950. In 1952, he had a minor hit for Acorn Records with the then controversial song "I'm a Doggy." Oddly enough, unbeknownst to Marvin and his label, he simultaneously had an enormous bootleg success in Nigeria with the beautiful song "Pancakes."
His disdain and mistrust of the music business is well documented and he soon fell out with Acorn's owner, Norman Hector. Although, approached by other labels, Marvin refused to record for anyone unless the owner of the label came to his home in Slidell, La and mowed his lawn.
Reportedly Marvin's music was the only music that Jackson Pollack would ever listen to while he painted, this respect was not reciprocated. In 1970 Marvin believed that he was abducted by aliens. He felt his mother had had a similar unsettling experience, which had led to her breakdown. He stopped playing music and dedicated all of his time and energy to amicably contacting these creatures who had previously probed his body so brutally.
When he was arrested for riding a bicycle naked down the side streets of Slidell, La, it provided a sad but clear view of Marvin's coming years.
Marvin held the tribal belief that having a photograph taken of yourself could steal your soul, thus these candid shots are the only ones known to exist.
In 1971 he moved back to Detroit where he drifted forever and permanently into insanity. ”
Link: http://www.mediafire.com/?gl114ocnncz
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